Halloween Horror! The Titillating, the Terrifying, the Campy and the Creepy

 

The spooky season is upon us, and you greatly deprive yourself if you do not take the time to watch some scary movies! I love horror, and here are some of my favorites — the fun, the freaky and the forgotten.  In no particular order.

Crow Haven Farm – When a distant relative dies and leaves a generous will, New Yorker Maggie (played by Hope Lange) inherits a farm in Massachusetts. She and her husband are delighted to leave the big city and move into their new digs. However, upon entering the new house, Maggie has the strangest feeling she has lived there before. Is reincarnation possible?

Of course it is! But matters get complicated when Maggie and her husband adopt a witchy ten year old girl. Through the child, Maggie discovers her previous life involved the betrayal of a 17th century coven. They now plan to exact their revenge…

The Howling II “Your sister is a werewolf.” – Ben’s sister is transformed into a werewolf and killed. Determined to find answers and justice, Ben and his girlfriend Jenny travel to Transylvania with werewolf hunter Stefan (played by Christopher Lee) to investigate. There they find themselves in the midst of the Wolf Festival. A strange tribe of werewolves are led by immortal Queen Stirba who, as it turns out, is Stefan’s sister.  There are plenty of chills and thrills (plus a great Goth wardrobe!) in this borderline erotic story.

Let’s Scare Jessica To Death – After suffering a nervous breakdown, Jessica has just been released from treatment in a mental institution.  What she needs most is fresh air and a fresh start. Jessica and her husband decide to purchase a country house in upstate New York where they can get some peace and quiet to help Jessica’s recovery.  Or so they think. When they discover a young hippy squatter on the premises, Jessica decides to invite the girl to move in rather than banish her.  Bad decision!  

This woman strangely resembles old photographs left in the house…  Is the young woman really an immortal vampire? Or is Jessica simply going insane?

An American Werewolf in London – American college students David and Jack are backpacking through northern England.

They stop at a pub for some hot food, but unfortunately, the locals are none too friendly.  In fact they are downright rude, except for their simple advice. “Stay to the road and beware the moon.” 

Realizing they are unwanted, the boys head out to the moors, amidst fog and cries of a howling wolf.  They are, of course, attacked.  Jack  is killed, but David is merely wounded — and therefore left to carry on the curse of the werewolf. This truly classic film  manages to be funny, likable and shocking all at the same time.

The Witches of Eastwick – Three dissatisfied women (played by Cher, Michelle Pheifer and Susan Sarandon) live in a sleepy New England town. There, they bide their time with hobbies and gossip, not really fitting in with the locals, and longing for excitement.  One night they fantasize their perfect man and invite him to the neighborhood.  When Darryl Van Horn (played by Jack Nicholson) arrives on the scene, he is intriguing, a bit repugnant, and weirdly irresistible. Van Horn trains the women for a witchy life — including teaching them to fly, all the while keeping them under his seductive power. Then one day, the ladies become more powerful than Darryl…

Practical Magic – The Owens women, witches by birth, suffer a curse. No man should ever fall in love with them or he is fated to die — young and way before his time.  When sisters Jill and Sally (played by Nicole Kidman and Sandra Bullock) both fall in love, fate takes its toll.  Can the curse be broken? While it is not really “scary” this movie is great fun and perfect for Halloween, when the Owens women fly off the roof!

The Witch: A New England Folk Tale – Journey back to 17th century New England for some spine tingling dealings with real witches and a goat named Black Phillip. A family of English settlers are banished from Plymouth Colony for being “too devout.” In other words, they out-Puritan the Puritans, and the community sends them away.

The family’s luck gets worse as crops spoil and their baby is kidnapped. To make matters worse, something strange is going on in the woods… This involves unction oils, naked witches, and signing of the book in blood. Plus Black Phillip is more than a mere goat…

Kudos to director Robert Eggers for keeping it Puritanical. Eggers went to great efforts to replicate the speech and costumes of the era. He also claimed he wanted to make his “childhood witch terrors” come to life.  I know people who are so scared of this movie, they will not watch it alone!

Interview With The Vampire – I have mentioned this gem before, but no Halloween would be complete without a visit to New Orleans with the infamous Lestat, and the innocent Louis, the vampire he created to keep him company. When Louis can no longer live with the existential crises of having to kill to stay undead, all hell breaks loose. Anne Rice’s masterpiece brought to the big screen.

The Salem Witch Trials – Originally filmed as a made for TV mini series, this six hour presentation is a must see. Most folks take Arthur Miller’s Crucible as fact – it was, however, heavily fabricated to meet Miller’s dramatic goals. This mini series offers a more historic (and scary!) view of the witch trials, with great performances by Kirstie Alley and Shirley Maclaine.

Doctor Faustus – Based on Christopher Marlowe’s play. Richard Burton stars as Faustus, the occult dabbling doctor who wonders if it would be possible to summon the Devil and strike a bargain with him – a soul in exchange for worldly goods. Yes. It is possible. The movie also stars Elizabeth Taylor (Burton’s then wife) as temptress Helen of Troy.

Although it is a bit campy and the acting is over the top, I still say,  Burton, Taylor and Marlowe — What’s not to love?

The Exorcist – Some folks think this is the scariest film ever made. Although it shows it’s age, there are still plenty terrors to be had in this story of Reagan, an innocent twelve year old who inexplicably finds herself possessed by the Devil. When all cures prove futile, an exorcist is called in. Not for the faint of heart, but if you have a strong stomach, it is a must see.

Hope that gives you some viewing ideas!

Have an Happy and Horrifying Halloween!

 

 

 

Witchy Wednesday: The Owens Sisters

 

The women of the Owens family are under a curse. A terrible, inescapable curse of the worst possible kind. It goes as follows: Any man who falls in love with one of them will, through some unexpected accident or unforeseen circumstance, end up dead.

The curse began some 300 years ago in colonial Massachusetts when ancestor Maria Owens was condemned to death for witchcraft. She was put to the hangman’s noose but escaped through magic. Maria was then banished to a small island off the coast. She was pregnant,  and although her lover had promised to come for her, he never showed up. Maria vowed to never again deal with the messy heartbreak of love. That vow, it its weird twisted way, turned into a curse against all men who dared love an Owens woman.

Now, sisters Sally and Gillian had better watch out!  Of course, as luck would have it, both of them are going to fall in love. More than once.

Practical Magic, adapted from Alice Hoffman’s 1995 novel of the same name, is one of my favorite witch movies!  It stars Sandra Bullock and Nicole Kidman as the two sisters, who are orphaned after their parents die of curses and broken hearts. The girls are sent to live with their Aunts in the sleepy Massachusetts town where prejudice against witches still runs rampant.

Stockard Channing and Diane Weist are their wild and wacky aunts who eat chocolate cake for breakfast, cast love spells for the neighbors and dance naked in the moonlight.

As Sally and Gillian come of age in their Aunts’ glorious seaside mansion, they start to realize the true nature of their powers. Neither girl cares to practice magic.

Subdued, bookish Sally (Sandra Bullock) is the more gifted of the two, though she rarely casts a spell.  Wild child Gillian (Nicole Kidman) cares more for boys than witchery, and even runs away from her Aunts’ home to increase her opportunities with men.

The sisters are separated for a time, but, connected by blood and a psychic bond, they are never far apart.  Gillian gets involved with an abusive man named Jimmy Angelov.

One night, Sally gets a premonition that Gillian is in real trouble and immediately flies across the country to rescue her. She finds Gillian held hostage, but the forceful  Jimmy kidnaps both sisters.  An accidental overdose of belladonna, administered by Sally, sends Jimmy Angelov to sleep with the angels. Or in his case, the demons…   The sisters then find themselves in a tight spot; they are inadvertent murderers.

What to do?

Rather than let Jimmy stay dead, they decide to try their hand at necromancy.  The Aunts warn against it, believing he may come back as something “dark and unnatural”.  Gillian assures them that he always WAS something  “dark and unnatural”.  What have they got to lose?  But will the spell work?

To make matters worse, when Jimmy is reported as a missing person, detective Gary Hallet (played by Aidan Quinn) comes investigating.

The detective may have a hard time arresting Sally when he realizes he is falling in love with her.

Practical Magic, released in 1998, is a fun, sometimes spooky, romantic comedy.  The movie recently made news headlines when co stars Bullock and Kidman showed up as presenters at this year’s Academy Awards. As the women reunited, Practical Magic fans conjured up the notion of them doing a sequel to the movie.

Nicole Kidman and Sandra Bullock Oscars 2018

Whether or not this will happen remains to be seen, but one thing is certain; there will never be a shortage of fans hoping for it.

Throughout the movie, we find a number of spells and occult references. Here are some fun witchy facts:

It Runs in the Family

Sally and Gillian are descendants of Maria Owens who cast spells, broke hearts, and escaped the noose through magic. In reality, very few modern day witches can claim this kind of bloodline. Most witches are self made, through their own discipline and study of the Craft. There are, however, several families in  the Salem area who claim blood relations to those who were arrested for witchcraft in the 1692 witch hunts.

Bella Donna, the Beautiful Lady

Atropo Belladonna is a poisonous plant. It has been used as a sedative and antispasmotic.  Large doses can be deadly.  In medieval Italy, young women put drops extracted from the plant into their eyes. This dilated their pupils, creating an effect that was considered to be beautiful – hence the name Belladonna, which in Italian means “beautiful woman”.

Yeah. Because nothing says sexy like the pie eyed opiate induced dummy stare 🙂

J.R.R. Tolkien fans might remember the character Belladonna Took Baggins. She was the wife of Bungo Baggins, lady of Bag End, and mother of the original ring bearing hobbit Bilbo Baggins.

Blood Drinking Optional

The character Jimmy Angelov, played by Goran Visnjic, was supposed to be from Transylvania. We are not sure if he was an actual vampire, but his Romanian roots certainly lent an air of darkness and danger to him. In real life, Goran Visnjic is from Croatia. Close enough.

In the 1998 movie, a ten year old Evan Rachel Wood played Sally’s daughter Kylie.  Kylie took after her Aunt Gillian in both looks and temperament. We might wonder how she’d grow up…

Since then, Wood took on a bunch of noteworthy roles, including a vampire in True Blood.

Herbal Medicine

When a frightened Gillian returns home with a bruised face after Jimmy has assaulted her, Aunt Frances, in typical witch fashion, suggests applying mugwort.  In Medieval Europe, mugwort was believed to be a magical herb that would protect against evil spirits, diseases and misfortunes.

Don’t Know Your Past You Won’t Know Your Future

While fans may be clamoring for a sequel after seeing Sandra and Nicole on the red carpet, author Alice Hoffman has actually written a prequel. This book, called The Rules of Magic, tells the story of the Aunts, Frances and Jet, when they lived as teenage witches in 1960’s New York City.  Read more here.

And finally, no review of Practical Magic would be complete without a visit to Midnight Margaritas! Watch as the Aunts stir up a powerful brew.  Grab some limes and enjoy the show 🙂

 

 

 

 

Happy Birthday Hitchcock!

 

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If you have ever watched the original Psycho, or The Birds, or Rebecca (preferably alone on a stormy night, with all your doors bolted) you know what it is to experience Alfred Hitchcock at his best.

The Master of Suspense, the Sorcerer of Shock, and the King of Comeuppance — Hitchcock is by far one of the best film directors of the 20th century.

Alfred Joseph Hitchcock was born on this day, August 13, 1899 in Leytonstone England. His father was a greengrocer, his mother a homemaker. He was the youngest of three children, an average student and a bit of loner.

But yawn. That story is far too mundane. Something must have happened in his formative years to help create his twisted persona, to turn him into the Tyrant of Terror, who would later alarm the world with his disturbing psychological horror.

It turns out a few things did happen. (His birth date fell on a Friday the 13th. That ought to tell us something, heheh.)

When he was five years old, Hitchcock’s father wanted to punish him for ‘behaving badly’.  Little Alfred was sent to the local police station with a note asking the officer to ‘lock him up in jail for five minutes’.  This incident left a lifelong scar on Hitchcock, possibly influencing his frequent themes of harsh punishments, wrongful accusations and sly retributions for evil doers. He had a permanent fear of the police.

He also had a permanent fear of Jesuits.

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Hitch was raised Roman Catholic and attended Jesuit Grammar School at Saint Ignatius College. Years later, when asked in an interview how he – a  polite gentleman – managed to create such malevolent stories, Hitchcock replied: “I spent three years studying with the Jesuits. They used to terrify me to death and now I’m getting my own back by terrifying other people.”

His 1953 film I Confess starred Montgomery Clift as a Catholic priest who is wrongly accused of murder, but also hears the confession of the true murderer — and is sworn to secrecy by his priestly vows.

Hitch I Confess

Hitchcock’s first job was as a draftsman for an electric cable company called Henley’s.  Even then, as a teenager, he was already writing scary tales. Some of these were published in the company’s newsletter, The Henley Telegraph.

Hitchcock’s first piece, “Gas” tells the story of a young woman who imagines that she is being assaulted one night in London—but the twist at the end reveals it was all just a hallucination in the dentist’s chair induced by the anesthetic.

Interestingly, one of the episodes featured on Alfred Hitchcock Presents seems reminiscent of this tale. In the newer version, the woman’s hallucination involves a futuristic society in which all men have been eradicated through a medicine originally intended to kill rats.  There are no more men in the world! Babies are born through test tubes and they are always females! The woman wakes up from her dream to find that in reality, a famous scientist is currently experimenting with a medicine which will rid the world of rats!  The woman takes a shotgun, attempts to kill the scientist and… Well, you will just have to watch the episode to find out what happens.

His other early stories also indicate Hitchcockian creepiness and weird sexual overtones. One short story “And There Was No Rainbow” (which some folk thought should have been banned)  tells of a young man who goes out looking for a brothel, but instead stumbles into the house of his best friend’s girl. Hitch also wrote a piece called “Fedora” which gave a ‘strikingly accurate description’ of his future wife Alma Reville, although he had not yet met her!

At the tender age of twenty, Hitchcock got a job at Paramount Studios as a title card designer for silent films. Within five years he was directing those films.  His first commercial success was a thriller called The Lodger about London’s notorious serial killer Jack the Ripper.  

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 Around this time Alma Reville became Hitch’s assistant director. The two were married on December 2, 1926.   Alma became Hitchcock’s closest collaborator.  He rarely discussed her contributions to his films, although some were credited on screen. Alma was clearly ‘the woman behind the great man’ but she avoided public attention.

Hitchcock had the unique experience of working in the film industry as it evolved through all its massive changes of the 20th century. In 1929, his production company began experimentation with sound, producing the first ‘Talkies’.  Hitchcock’s contributions included Blackmail, The Man Who Knew Too Much and his highly acclaimed The 39 Steps, which made him a star in the United States.

The 39 Steps established two unique Hitchcockian traditions: the ‘Hitchcock Blonde’ and The MacGuffin’.

The Hitchcock Blonde was the beautiful, ice-cool, perfect leading lady who often became a victim of twisted circumstances.

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First personified in The 39 Steps by actress Madeleine Carroll, his other blondes included Grace Kelly, Tippi Hedren, Kim Novak and Janet Leigh. Hitch believed that these flawless, classy women left much to the sexual imagination –  they were ladylike in public but potential whores in the bedroom. He described this archetype as follows:

“I think the most interesting women, sexually, are the English women. I feel that the English women, the Swedes, the northern Germans and Scandinavians are a great deal more exciting than the Latin, the Italian and the French women. Sex should not be advertised. An English girl, looking like a schoolteacher, is apt to get into a cab with you and, to your surprise, she’ll probably pull a man’s pants open. … Without the element of surprise, the scenes become meaningless. There’s no possibility to discover sex.

The MacGuffin is a plot device — an object thrown in for the purpose of intriguing the audience, but which will have little consequence in the overall story.  In a lecture at Columbia University, Hitchcock explained The MacGuffin as follows:

“It might be a Scottish name, taken from a story about two men on a train. One man says, “What’s that package up there in the baggage rack?” And the other answers, “Oh, that’s a MacGuffin”. The first one asks, “What’s a MacGuffin?” “Well,” the other man says, “it’s an apparatus for trapping lions in the Scottish Highlands.” The first man says, “But there are no lions in the Scottish Highlands,” and the other one answers, “Well then, that’s no MacGuffin!” So you see that a MacGuffin is actually nothing at all.”

The MacGuffin took on a life of its own in filmmaking. It is the Holy Grail of Arthurian legends.  Some modern examples include:  the Maltese Falcon in the film of the same name; the meaning of “Rosebud” in Citizen Kane; the Rabbit’s Foot in Mission Impossible III, and  the Heart of the Ocean necklace in Titanic.

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Hitchcock’s recognition and fame continued to grow. In 1939 he received The New York Film Critics Circle Award for his film The Lady Vanishes.  Picturegoer Magazine called him ‘Alfred the Great’.  The New York Times called him ‘the greatest director of screen melodramas in the world’, placing him alongside other English treasures such as the Magna Carta and the Tower of London.

In 1940 Hitch directed Rebecca based on the novel by Daphne Du Maurier. (If you have not read this masterpiece, you must do so immediately!) The film won an Academy Award for best picture, with a best director nomination.

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Hitch and horror novelist Daphne Du Maurier formed a natural collaboration. His film The Birds  — a story of rebellious birds that slowly and creepily take over a California town — was also based on a story written by Du Maurier.

A few years ago my local movie theater ran a big screen production of The Birds. Tippi Hedren,  an iconic Hitchcock Blonde who stars in the film, came in as a guest speaker.

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I swear to god she looked EXACTLY the same as she did in the film!  Some forty years had passed and the woman had not aged, not one day!  You will find pictures of Tippi Hedren on the internet where she looks older, but these (I swear!) are not real.  I believe she might actually have some weird Dorian Gray arrangement going on… Perhaps the internet pictures are aging as she herself stays young.  (Anything would be possible in Hitch’s world.)

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Hitchcock’s career peaked in the 1950’s and 60’s when he directed gems such as Rear Window, Vertigo, Strangers on a Train, and of course Psycho.  This movie was the creepiest creep-fest of all, about a young woman (Janet Leigh) who goes to stay at a hotel run by a taxidermy obsessed man (Tony Perkins) who has a strange relationship with his dead mother…

 

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Hitch’s television series ‘Alfred Hitchcock Presents’ had a ten year run from 1955 to 1965. The fascinating thing about these segments is that, by today’s standards, they are very plain.  No bells or whistles, no special effects –  just simple black and white cinematography, flat lighting, and mostly unknown actors – yet the brilliant storytelling speaks for itself.

Equally entertaining was Hitch’s deadpan delivery  of introductions which always began with “Good Evening” and went on to speak of outrageous things.

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Hitchcock moved to California and became an American citizen in 1955, although still retaining his English citizenship. He was knighted by Queen Elizabeth II in 1980, a few months before his death. Film critic Roger Ebert considered it something of a snub that the Queen took so long to give Hitch his knighthood, writing:  “Other British directors like Sir Carol Reed and Sir Charlie Chaplin were knighted years ago, while Hitchcock… one of the greatest filmmakers of all time, was passed over.” Maybe the Queen was a bit spooked by him, or reluctant to invite him to the palace?

On April 29th, 1980, Sir Alfred Hitchcock died of renal failure in his home in Bel Air California. Despite his professed fears of the Jesuits, two priests came in his closing hours, giving a final mass at Hitchcock’s home and hearing his last confession.

Gone but not forgotten, we will never ditch the Hitch!  He shall always be alive in legacy, legend and the ominous voice that warns to lock the doors and be afraid. Be very afraid.

Happy Birthday Alfred!

This short tribute is a great celebration of the man and his art. Hope you like it!

 

 

 

 

An Analysis of Alice

 

Alice vogue

I am a huge Lewis Carroll fan.  The Alice stories (In Wonderland and Through the Looking Glass) are among the best ever written. To my thinking, they are worthy of analyzing and revisiting many times over, always with something new to be discovered.

Because the original work is presented with a good deal of abstract symbolism, readers often misunderstand, or are completely baffled by the text. (Especially if they are trying to decipher it on an adult level.)  Hence, film makers tend to go ‘over the top’, often presenting the story with a lot of bells and whistles that were not included in the original story. (Tim Burton and Disney both did this.)

It is, at its core, a story about questioning authority. Carroll pokes fun at just about every Victorian institution. His attack at  child rearing, for example, is evident in the fate of the baby that turns into a pig.

Alice pig

He pokes fun at the school system, evident in the ‘reeling and writhing’ classes of the mock turtle. He makes fun of he British monarchy (‘Off with her head’ is a reference to its once frequent be-headings.)

Alice flamingo

The War of the Roses is also mocked, with the servants painting roses from white to red (representing York and Lancaster dynasties.) The court system is criticized in the Knave of Hearts’ trial. There is a message about being controlled by schedules in the rabbit’s obsession with his watch and the idea of ‘beating time’.

The Alice books show a test of one’s ability to adapt. Alice finds herself in the strangest of circumstances and tries her best to fit in. In the end she discovers the Wonderland creatures are ‘nothing but a pack of cards’ and thus no better than she herself. (Lower than she herself actually…)

As in any quest for knowledge, and as is frequently the experience of one ‘growing up’, Alice often becomes ‘too big’ for her own surroundings.

Alice house

She may be terrified at the changes within her own mind and body – frequently the experience of adolescents and young adults. And yet, as the frog footmen, the lizards and rabbits scurry about, Alice is aware of their silliness, much in the same way an enlightened being becomes aware of the triviality of the world.

Perhaps most importantly, the books teach self actualization. Alice is frustrated, but in the end she realizes her nuanced opinions have some validity. Her experience is just as important as anyone  else’s.

No wonder Wonderland became so popular!  First published in 1865, it has never been out of print. The first fans of the Alice books included Queen Victoria and Oscar Wilde.  The Alice books are also reportedly the most quoted books in the English language, right up there with the Bible and the works of Shakespeare.

Carroll was among the first to use a dream sequence in a novel — a technique that became more popular with the work of Sigmund Freud in the early 20th century. Today dream sequence in film is almost passe’. We have seen it a hundred times, and it is frequently uses as a cliffhanger, or to ‘trick’ the viewer.  But back then it was certainly innovative.

Ironically, although Carroll is frequently accused of drug use, the kinds of drugs they associate him with were not discovered until much later. For example, ‘magic mushrooms’ were discovered in 1955, and LSD was first synthesized in 1938, which I guess proves that Carroll had a brilliant imagination.

alice mushroom

So, forget Tim Burton and all other fabrications. Here I give you a movie which is actually very close in sentiment to the Real Alice!

This 1972 film, directed by William Sterling, captures the intent of Lewis Carroll. Using most of the book’s original dialogue, script writing owes credit to Carroll as well as Sterling. The talented cast includes Fiona Fullerton, Dudley Moore and Peter Sellers.

Although the film is lacking in super-duper mind blowing special effects (it was, after all, made in 1972 on a limited budget) it nonetheless does a great job of capturing Carroll’s  ideas.

Running time is about 1 hour 30 minutes. Hope you get a chance to watch it!

 

 

A Streetcar Named Desire

 

blanche-3

“They told me to take a streetcar named Desire, then transfer to one called Cemeteries, then ride six blocks and get off at — the Elysian Fields!” So begins the opening lines of Tennessee Williams’ most famous play, spoken by would-be  femme fatal Blanche Dubois.

Tennessee Williams won a Pulitzer Prize for this 1947 play, which tells the story of Blanche, an aging southern belle who, after a series of devastating personal losses pays a visit to her sister Stella in New Orleans’ French Quarter.

Stella lives in a shabby, run down two flat with her brutish and bullying husband Stanley Kowalski (played by  then-unknown Marlon Brando.)  Blanche is immediately both intimidated by and attracted to Stanley, who becomes relentless in his quest to expose dark secrets from Blanche’s past.

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Rest assured, the secrets are very dark  — there was  a marriage to a gay man resulting in his suicide, for which Blanche feels responsible. There were clandestine hotel encounters, possible prostitution, and an affair with a high school student that ended her career.  (Blanche had been a teacher.)

What follows is Blanche’s psychological demise. There is a controversial rape scene, the birth of a baby and Blanche’s threadbare conclusion as she is hauled off to a mental institution:”I have always depended upon the kindness of strangers.”

blanche

In 1951 the play was made into an academy award winning movie, starring Vivien Leigh as Blanche and Kim Hunter as Stella. (Hollywood did its best to tone down the homosexual sub plot as well as the rape scene.)

In the end, Stanley, Stella and Blanche were all victims of their own desires. Stanley wanted power, Stella wanted love and Blanche wanted security. Or did they?

The true genius of this play is its conflicting virtues and sexual politics.  It is very hard to name a hero or a villain.  Tennessee Williams was quoted as saying he wrote the play for the “mentally ill and the misunderstood.”  He had a mentally ill sister whom he commemorated in ‘The Glass Menagerie’.  Tennessee himself had a few nervous breakdowns, as did Vivien Leigh. And yet —  I could have sworn the author was rooting for Stanley the whole time.

Although the names ‘Desire’, ‘Cemeteries’ and ‘Elysian Fields’ are actual New Orleans destinations, the symbolism will not be lost on mythology fans. The Elysian Fields in Greek mythology is the soul’s final resting place — ironically a resting place of the heroic and virtuous.  The names imply that it is our desires that bring our demise (the cemetery) and then take us on the Elysian Fields — a parallel of Blanche’s streetcar journey.

At any rate, nothing says ‘Desire’ like this steamy scene between Kim Hunter and Marlon Brando. “HEY STELLA!!”

 

 

Women in the Desert

 

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Have you seen the 1991 movie Thelma and Louise? If not, you must rent it or stream it. Immediately!

Geena Davis stars as Thelma , a stuck at home housewife and Susan Sarandon  plays Louise, a  cynical waitress.  The two are both funny, smart, a little bored and maybe secretly longing for adventure when they set out on a weekend get-away.  Here is what they look like in the beginning.

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Yeah, too much lipstick and bad eye shadow. That’s all gonna change. Their  plan is to drive to a friend’s cabin in the mountains to do some fishing and communing with nature. But actually, they want to get away from bosses, husbands, boyfriends and other  oppressive types who happen to be causing problems in their lives.

On the way they stop at a country/ western bar where Thelma, after dancing and being a bit too friendly with Harlan (a would be date rapist) is assaulted by him in the parking lot.  Louise comes to Thelma’s rescue and  accidentally kills the guy.

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 “In the future? When a woman’s cryin’ like that? She ain’t havin’ any fun!” 

 

Then these two normal, everyday women unwittingly become dangerous criminals  on the run from the law.   Before the movie is over they will be guilty of  murder, armed robbery, property destruction and holding an officer at gunpoint. Also  adultery, driving  WAYYY over the speed limit and stealing whiskey, sunglasses and hats.  The snowball effect follows them as one catastrophe leads to another, none of it being their fault. In the meantime they make some poignant self discoveries.

Maybe it would have been different if that truck driver would have just apologized…

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Not only is this movie a feminist masterpiece,  it is also a  great tribute to the American West, full of breathtaking cinematography.  Thelma and Louise, in their non-stop driving spree, travel through long stretches desert highway, red rock caverns, cattle round-ups, endless sky and even the Grand Canyon itself.

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Plus, we get to watch  a young Brad Pitt (before he was even famous.)

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I love this film because it is a realistic, funny and sometimes disturbing look at 20th century feminism.  And it’s not just about women shooting guns.  (If it were, I’d surely hate it.)  There is actually very little violence, although it was touted as such, and with great controversy when it first came out. This story is really more of  a psychological study of life under the pink collar. Can two feisty, flirty women travel across the country, drink and dance in bars without fear of being raped?  (Yes! Nowadays they can.)   Luckily things have changed a lot since 1991. Maybe even in part because of this film and others like it. Written by Callie Khouri,  directed by Ridley Scott.  Highly recommended for bad-ass women and rebels everywhere 🙂

Here is my favorite scene:

 

This post was inspired by the Daily Prompt Desert

The Witch: Movie Review

 

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So let’s say you are a seventeen year old girl and you live in Puritan New England, circa 1630. Your family are radical separatists. In fact, they are so pure, even the Puritans can’t handle them. Your family is banished from the colony. For being too religious.

Forced to live out in the wildest of wilderness, your life pretty much sucks. You do non-stop chores from dawn till dusk. This includes stuff like washing clothes in the river and grinding corn.  You have no time to yourself, no chance to voice your own opinions, no creative outlets. “Women should be seen and not heard.”  Then of course, there is that pesky problem of your budding sexuality…

Your father is clearly nuts. All he does is chop wood and quote the Bible. All day long. Your young siblings are acting strange. Your mother is also nuts. She talks of sending you off to be a maid for some other family, where you will have even MORE chores to do.

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Your family are Calvinists. They are very concerned with Heaven and how to get there.  They insist upon living a pious (read: dull, boring, repressive) life in order to reap their heavenly rewards.  The only trouble is — God has already chosen His elect and you may not be one of them. You will not find out until you die.  All your piety could be a big fat waste of time and you just may end up in Hell.  It’s a real game of Russian roulette, eh?

Then along comes this goat named Black Phillip…

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The question here is not WHY would a Puritan woman sign a blood contract with the Devil. The question is WHY WOULDN’T SHE?

This film is beautifully shot, meticulous in historical detail, and a spine tingling, psychological thriller!  Now out on DVD.

“Wouldst thou like to live deliciously?”

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