Anne Hathaway Speaks

AnneHathawayAndShakespeare

My husband Will was not inattentive to me, though this is what most folk assumed. True he lived in London and I saw him scarce, but when he arrived back to Stratford, O then! Much welcoming and merrymaking there was and I greeted him with open arms.

Will’s true home was the theater, his soul poured forth from his quill and ink pots. When I married him I knew this. How could I not?  He spoke in rhyme when he wooed me. The sonnet sprung from his lips, a stretch of beat and iamb, beautiful words and I trust not a woman in all of Stratford would have resisted young Master Shakespeare. He was tall and handsome, quick witted, dark eyed.  And I?  I was the original summer’s day, Venus to his Adonis.

When he moved to London it was with  that very poem he acquired patronage from the Earl of Southampton.  He had since compromised his words, winking to the the faire youth and dark lady.  Leave gossip for the tongue wagers.  I suspected he had lovers, both women and men.  Of course he did.  After all, his time in London was long. Yet the green monster of envy raised not its head.

One must understand. He was but a boy of eighteen when I married him, and I a woman of twenty six. And though I was with child, I knew his wild oats were not yet sown.  Faithfulness was never expected.  Therefore we lived in harmony.

But I!  Yes I.  Was the mother of his children, the keeper of his hearth. More importantly, not a word of his plays did he scribe, not a scroll did he bring to the King’s Men without my approval.  That was my gift, though none knew of it.

“Anne,” he said to me, “thou art my Juliet, my Beatrice, my Titania in all splendor of the fairies.” His meaning more specific, I was his muse.

merchant of venice pd 2

Consider his play of Juliet. What a botched thing it was,  before I took my hand to it. “The lovers must commit suicide, Will,” quothe I. “Nothing less will do.”

“How so?” he asked.

“By poison of course. And a stabbing, the bloodier the better! In London they crave all means of violence, death, destruction and swordplay. You must give the public what they want, Billie Shakespeare! Else all is lost and the words for naught.”

The same was true of his characters Ophelia, Gertrude and Hamlet. My husband would have written it mildly, trippingly on the tongue as he liked to say. “O no Will,” I corrected. “There must be tragedy. Sweet Ophelia, tormented by madness, will drown herself in a river amongst the heavy flowers and willows that weep.”

“Another suicide?” He shook his head.

“Another, and many more. Trust me.”

Consider Macbeth.  A lame play until I corrected it, making Macbeth a milquetoast to a treacherous and evil woman! She was perhaps the most cunning of my creations.

“The Lady Macbeth must urge the man forward,” I insisted. “It is she who plots killing of King Duncan, she who will bloody her hands most.” His jaw hung and he turned a bit pale at this notion.

“She,” I continued, “will unsex herself, ruthless and scheming. She will drive herself to madness, never eliminating the the damned spots of blood that haunt her like Banquo’s ghost!”

macbeth

He argued with me. “Surely, wife, the gentry will loathe such a vile woman.”

“They will love to hate her,” I assured him. For what better entertainment than an evil femme fatale and what better place to lay blame?

I was correct.

And so it was the box office flourished. “Sell admissions cheap, not more than a penny,” I advised him.

“But Anne,” quothe he, “Baron Hundson will not have it. The Globe itself will be closed should we not turn a profit.”

“You’ll turn a profit and you’ll turn it handsomely,” I insisted.  When the groundlings poured in, seatless in the mud and mire, but not lacking to pay their penny, Will saw that I was correct. I was always correct.

The money pots scattered and we quickly made a fortune. “To tell and sell a story,” I told him, “is the noblest of professions. None will tire of it, for they seek desperately to escape the boredom of their mundane lives.”

And so it was, back home in Stratford, by our fortune I acquired land and houses. New Place was mine, a brace of animals and horses, thriving farms and plenty of servants to do my bidding. When we accumulated enough wealth I urged Will to purchase a Coat of Arms. The motto ‘Not Without Right’ were my own words, because indeed we were not without rights to our own status of Gentle.

shakesepare coat of arms

One day I waited for the clomp of horse hooves upon our pavement. ‘Twas the twenty third day of April, the day of his birth and Will returned home to celebrate. My cooks had prepared a great feast. There would be games and diversions. I smiled as I saw him ride up the road, clothed in boots and britches. He pulled a scribbled parchment from his doublet.

“What’s this?” I kissed him on both cheeks, then took the parchment.

“My latest,” he answered. “It is called Othello.”

“And what story?”

“A marriage between a Moor and a Venetian. Their love will be the purest and they shall live happily ever after.”

I shook my head and tore the parchment to pieces.

“Their love,” I said defiantly, “shall be fraught with tension. The Moor black as jet and the Venetian white as pearl. She a young seductress, he a skilled soldier.   There will be coupling, the mounting of the beast with two backs, they insatiable in their lust!  There will be jealousy and betrayal, one named Cassio who will claim her…”

I narrowed my eyes, thinking of what would enhance this plot. “Add a handkerchief, the most intimate of objects.”

Will popped his eyes. “Surely not a handkerchief!”

“Yes, husband. And ‘twill end in a murder.  Othello driven to savage madness, kills his wife in her very own bed! Then he, driven to suicide, slays himself and falls next to her. Give the people blood and lust and lovers and yet more blood.”

“My dear, are you sure? Such a thing shall be most controversial.” He cocked his head.

“Trust me.” I answered. I then took his hand. “Let the birthday celebrations begin.”

That night we finished revisions. I predicted the story of the Moor named Othello and his wife Desdemona would be among the greatest of my husband’s many tragedies. I predicted the plays would last on into posterity, for hundred of years, maybe thousands, created anew by each generation, constantly revealing human truths, constantly entertaining each audience.

And I was always correct.

“She hath a way,  so to control

and rapture the imprisoned soul

and sweetest heaven on earth display

that to be heaven, Anne hath a way

She hath a way, Anne Hathaway,

To breathe delight, Anne hath a way.”

                                                          — William Shakespeare

Born April 23, 1564, Died April 23, 1616

Birthday-Shakespeare

 

 

Mother Earth (a rondeau)

 

OLYMPUS DIGITAL CAMERA

She is not ready for your tomb

Of rancid waste, of filth and doom

There is much life in Mother Earth

A wealth of riches, home and hearth.

Gestation beats within her womb

 

Azalea, daisies stretching bloom

Her blossoms delicate perfume

The lady presses sun and mirth

She is not ready for your tomb.

 

Her skillful weaving, fruit from loom

Touch wheat fields of her sweeping broom

Where golden ores are forging birth

With gemstones rich, she’ll find her worth

In treasures more than you’d assume

She is not ready for your tomb.

ophelia

**NOTE:  This poem was inspired by John W. Leys  and his use of experimental poetry forms. The Rondeau was first used in thirteenth-century France, popular among medieval court poets and musicians. Because it is named for the French word ’round’ I could not resist using it as a tribute to Earth.  Read more about the Rondeau here.

Happy Earth Day! 🙂

 

 

Jesus Christ Superstar, Female Apostles and the 1%

 

Jesus Netherlands

In honor of Good Friday, I am paying tribute to my favorite rock opera, Jesus Christ Superstar!  Fresh out of The Netherlands comes this timely and creative interpretation, featuring female Disciples, a very young Jesus and a Roman government which is akin to Wall Street elites.  A lot of effort went into it — careful casting and two years rehearsal.  The play was first performed in 2016 at Candea College in Duiven.  The cast includes Tijmen Steg as Jesus, Don Voogt as Judas and Anne Baars as Mary Magdalene.

In the house of Lazarus, Mary  tries to anoint Jesus with precious oil, only to be reprimanded by Judas Iscariot.  “Woman, your fine ointment, brand new and expensive, could have been saved for the poor. Why has it been wasted? We could have raised maybe, three hundred silver pieces or more.”

Jesus, looking at the big picture and knowing he is not long for this world, answers: “Surely you’re not saying we have the resources to save the poor from their lot? There will be poor always, pathetically struggling; look at the good things you’ve got.”

(For more on Jesus’ anointing see my previous post Lazarus and the Pink Moon)

These very talented performers may come as a bit of a juxtapose and surprise.  I think they are fantastic!  Hope you enjoy it and have a happy Good Friday 🙂

Here, Anne Baars as Magdalene performs the ballad “I Don’t Know How to Love Him”.

Intrigued? Watch the whole opera here: (Running time about 1 hour 30 minutes.)

 

 

Lazarus and the Pink Moon

 

Lazarus 2

My body was rife with boils and scabs, the pain constant, like blue fire to an open wound. My own hands were clamshells, too stiff and weak to aid myself.  My sisters, Martha and Mary, dressed my inflamed skin in cool gauze and oils, yet it did no good. I wished only for death.

“He, Yeshua, the healer,” Martha told me, her young face riddled with lines of worry. “He shall be back. It was his promise to us.”

“You speak of the Rabboni?” I could barely gasp the words. My breath was fast vanishing.

“The Rabboni, Emmanuel, Hosanna,” Mary answered. “Know you, Lazarus, that he has healed many, causing the lame to walk and the blind to see. He will come back to Bethany and heal you as well.”

I moved my stiff body, a near corpse, against the straw mattress. It cut like a blade. No miracle worker could help me, that I knew.  The pox gripped and I was well beyond healing. Yet I had not the heart nor the strength to say this aloud, knowing it would crush my sisters’ hopes.

“It is told the Rabboni has walked on waves in the sea of Galilee,” Mary continued. “He calms the ocean’s storms. In Canaan they talk of the man who has changed water into wine. In Tiberias they talk of the man who fed a multitude with only seven loaves and two fishes.  Such are the miracles of Yeshua bin Joseph, and he has stated his undying love for us.”

Drivel and nonsense! My mind screamed but my voice could not utter it. I was thirsty, very thirsty and my head burned with fever. Martha pressed a wineskin to my lips but its taste was bitter as gall. The liquid burned in my swollen throat. “You must drink brother,” Martha said. “So as to stay quick till the Rabboni arrives. It is then he will cure you and you shall be whole once more.”

I let out a sigh in as much as my breath would permit it.  Whole. Did I want to be whole ever again?

Illness is a mad thing. It steals one’s will. I was a young man, younger than the Rabboni, who was three and thirty years. These miracles my sisters spoke of meant little to me. I followed no god, paid Caesar no tithes, was beholden to no man. Death was inevitable. When my time came I had always known I’d accept it.

Not so with my sisters. Their faith was constant as rise of the sun. They’d not give up hope. Mary sat at the edge of my mat, her hands folded in prayer. “When I am gone,” I began, but could not continue as I saw the tears trickle like silent rain from the corners of her eyes.

“You will not be gone brother,” Martha called. She brought bread from the village and begged me to eat but its taste was dust, my ulcered mouth too weak to chew.

lazarus 1

Night fell. Finally my sisters ceased their fussing and took to bed. I was relieved.

Through the bare windows of our hut I saw the moon rise. The first full moon since change of the season. Desert winds were now calmer and pink phlox grew like spun silk across the land. The heat of summer would not be far behind, yet I knew I’d not live to see it.

I closed my eyes. Sleep enveloped me like a womb.

When I awoke it was yet night, the moon outside the window full and pink as the phlox that grew beneath it.

pink moon 2

Stars twinkled all around. I could feel the breeze, balmy against my bandages. Oh, to breathe that air once again! To stand beneath that full moon. If I had but one last request, that would be it. Yet I had such little strength.

Rising on my blistered feet, I grabbed the wineskin, tried to drink but still the taste was bitter. Martha’s loaf of bread sat upon the table, now covered with locusts. The sight of it turned my stomach.

My breath was heavy.  I longed for the night air. I stood on shaky legs. Although I had been bedridden for weeks I now walked outside, compelled by some force, a force as powerful as the moon’s diamond tides.

It was there in the rich darkness that the woman met me.

She was naked, illuminated in the moon’s glow, her skin and lips pink, with streams of red hair hair that fell to her hips.

lillith

“Lazarus,” she said. “Your time is not yet come. Though your body is diseased and imperfect, you are still a young man. The years ahead are many. Your sisters need you. If you will show but a tiny seedling of faith you shall be healed.”

Such perfection I had never seen in a woman before. “Who are you?” I asked.

“Come nearer,” she answered.

I approached her and when I was cheek press close she whispered in my ear, “Lillith.”

I backed away.  Lillith!  It was she who had cursed the earth, she who had left her husband Adam, she who brought death to one hundred babies each day.  This Lillith, a demon! A vixen!  So said all the holy books. My instincts were to flee. Yet when she spoke again, her voice like rich bells beckoning me, I could not refuse.

She placed her hand upon my forehead. Her touch was cool and soft, like moonbeams themselves. “You’d do well not to believe the legends of men!” she quipped.

She then took me into her bosom, placed her teat to my mouth. “Drink, Lazarus,” she commanded. “This is the milk of life, stronger than any wine.”

Her taste was sweet and as I drank I felt my strength restored.  The boils healed on my skin, the ulcers vanished from my mouth. My fever broke and my head cooled.  My muscles, which had begun to atrophy, now took on a new suppleness and flexibility. I stood to my full height. My vision was sharp and clear.

I looked around me. All the ground seemed brighter, the plants green as pine, the flowers grown to the size of wheat fields.  The colors were dazzling. Silver rivers flowed, sheep grazed, trees were ripe with apples. Far in the distance the landscape sprung with all manner of vegetation, the lavender fields a sea of purple before us.  We were no longer in Bethany.

lavendar england public domain

“What is the place, my lady?” I asked. My voice was now deep, restored of its full volume and masculinity.

“This is but a fragment of Eden,” she answered. “And you are here for but a fragment of time. Answer when Yeshua calls. He weeps for you. There is so much more of your life to live.”

The next I knew I was in a tomb, rock walls encompassing like a prison around me.  I was clothed in linen, my head wrapped and eyes covered.  This seemed quite absurd as I had never felt fitter in my life.  They had buried me? Buried me alive, no less!  I unraveled the gauze from my eyes.

Just then the tomb’s boulder was moved. A path opened and yellow sunlight poured in.  I heard his voice, sturdy and pleading. “Lazarus, come out.”

lazarus

Slowly I stepped from the tomb, earth warm on my bare feet. Mary and Martha ran to my side and embraced me. “Brother,” Mary said. “Never did we lose our faith. Though we buried you four days ago, it is as he promised. You live!” Her face was wet with tears of joy.

Four days? Surely she was wrong, for I had been with Lillith but a moment!  Only long enough to drink the milk from her breasts and glimpse paradise.

“Remove those burial linens and let him go,” Yeshua instructed.

Later, as we dined together at our table he leaned in to me and whispered in my ear, “Tell no one of Lillith.”

“But why, Rabboni?” I asked. The woman Lillith had been a vision, a hope and a miracle. I longed to share my story.

“They will crucify me for this,” Yeshua answered. “If they learn the source from which my power comes it will be even worse. You’ll endanger your sisters. You’ll endanger all of womankind. This world is not yet prepared for the Truth.”

I heeded his words and told none of my visit with Lillith.

My sister Mary then took an alabaster jar filled with our finest perfumed oil. She anointed Yeshua’s feet and dried them with her own hair.

annointing feet

The men criticized her. The one called Judas Iscariot rose and gestured wildly.  “This fine perfume could have been sold and its money given to the poor!” he bellowed. “Yet Mary has wasted it on the Rabboni’s feet! She is sinful.”

My sister, unperturbed, continued her anointing.

“Leave the woman alone,” Yeshua commanded. “She is preparing me for my burial. The poor will be with you always, but I am destined to leave you soon.”

All were silent at this. He was correct. When the Sanhedrin heard of my resurrection, they became even more suspicious of him. A bounty was put on his head and the one called Iscariot betrayed him for thirty pieces of silver. He was arrested the following Thursday  at the garden of Gethsemane.

The very next day Yeshua bin Joseph was crucified, nailed to a cross with a crown of thorns on his head.  He died at Golgatha and was buried in a nearby tomb.

Like me, he arose from that tomb. Like me, he never told anyone of his encounter with Lillith.

As time went on many were persecuted. Women were burned at the stake, hung and murdered for their gifts of healing , elemental powers and necromancy.  It was not until millennia had passed that the Enlightenment came.

The world was then ready for the Truth.

lillith 2

 

 

Daffodils (a tanka)

 

flowers 5

Rain shatters deep earth

Roots burst yellow perfection

Long awaited blooms

Arabesque before the sun

April healing winter’s cold

flowers 6 - Copy

** Note: Inspired by T.S. Eliot’s ‘The Wasteland’.

“April is the cruelest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.”  
Happy National Poetry Month!