Women in Horror: Coven

 

As part of my February Women in Horror series, today I am featuring the fabulous actresses of American Horror Story.  The most famous of these are perhaps Angela Bassett, Kathy Bates and Jessica Lange.

These three ladies did not begin, nor spend their acting careers exclusively in Horror. All three had Oscar-nominated silver screen performances in a variety of genres before they came together on the bizarre cast of AHS. Yet they make the small screen sizzle in their frightful performances. The characters they have played range from carnival freaks to asylum inmates to psychopathic killers. And of course, witches!

No season of AHS showcases women as well as Season Three: Coven.

It all begins at Miss Robichaux’s Academy in New Orleans. The resident students are modern day descendants of those who escaped Salem hundreds of years before. Current coven members include the clueless Zoe (Taiessa Farmiga) who recently discovered her dark powers cause brain hemorrhages. Zoe will uncover more talents slowly and find she can operate a chain saw well.

Queenie (Gabourey Sidibe) is a descendant of Tituba. Queenie, like a human voodoo doll, has an ability to inflict pain upon others while doing herself harm which she does not feel.

Nan (Jamie Brewer) is an autistic clairvoyant who will read your every thought.

Madison (Emma Roberts) is  a spoiled actress who has seen the seamier side of life.  (Madison has more rough times ahead including death and resurrection. Stay tuned.)

The girls are under the care of Ms. Cordelia Foxx (Sarah Paulsen)  owner and operator of the Academy. Cordelia will be given a very interesting “sight”…

At the academy, the girls are to learn the fine arts of sorcery and magick that will help them lead their coven into the future.

The only problem is, the academy is falling apart. Cordelia’s leadership is weak. She has always lived in the shadow of her estranged mother Fiona Goode (Jessica Lange) who happens to be the Supreme Witch – the powerful queen who is able to perform the Seven Wonders.

To make matters worse, back in the bayou, a swamp witch named Misty Day (Lily Rabe) has been burned at the stake. Luckily for Misty, she is a necromancer and is able to revive herself from death.

Fiona, worried about the new persecution, heads back the academy to take matters in her own hands. A few field trips are in order for the trainees.

But it won’t be easy.

Dark and evil happenings have long occurred in New Orleans. Back in the 1800’s Madame LaLaurie (Kathy Bates) became so sadistic toward her slaves and family members that voodoo queen Marie Laveau (Angela Bassett) decided to bury her alive! Madame LaLaurie has been living in a casket for three hundred years.

The aging Fiona, obsessed by the notion of youth and eternal life, frees Madame LaLaurie from her coffin in hopes of discovering some longevity secrets. She also makes her way into the 9th ward where the ageless Marie LaVeau has operated the same beauty shop for some three hundred years.

Her secret? Marie has made a deal with voodoo god Papa Legba. And his terms didn’t come cheap. But Marie won’t be revealing her secrets to Fiona any time soon; the voodoo priestess has been engaged in a power war with the witches for centuries.

Excitement ensues as Fiona’s powers dwindle, while she realizes that one of the young prodigies is destined to be the next Supreme. But who?

Watch the series to find out!

Fiction and Truth: Madame LaLaurie

The truth behind some of the characters of Coven is as gory as the series itself. Take, for example, Madame LaLaurie.

The real Madame Delphine LaLaurie (1787 – 1849) was a Creole socialite who spent her time hobnobbing with the upper echelon of fashionable New Orleans.

Madame LaLaurie, a three time widow, apparently kept a respected place in society until April 10, 1834, when a fire broke out in the LaLaurie residence. Police and fire marshals arrived. There in the raging flames they found Madame LaLaurie’s cook, a seventy-year-old woman, chained to the stove by her ankle. The cook later said she herself had set the fire as a suicide attempt, as living under the confines of Madame LaLaurie had become intolerable and she was afraid she might be “punished” by being sent to the “upper chamber”.  Slaves taken to this chamber never came back.

Bystanders responding to the fire attempted to enter the upper chamber to ensure that everyone had been evacuated. Upon being refused the keys by Delphine, they broke down the doors.

As you may have suspected, the “upper chamber” was a real life chamber of horrors.

According to the New Orleans Bee, they found “seven slaves, horribly mutilated … suspended by the neck, with their limbs stretched and torn from one extremity to the other.”

The slaves had been imprisoned in the chamber for several months. They were “emaciated, and showed signs of having been flogged with a whip, bound in restrictive postures, and wore spiked iron collars which kept their heads in static positions.”

When the discovery of the abused slaves became widely known, the good people of New Orleans came to attack the LaLaurie residence. According to the newspaper, this angry mob “demolished and destroyed everything upon which they could lay their hands”. The sheriff intervened, but by the time the destruction was complete, “scarcely any thing remained but the walls.”

The real, restored LaLaurie Mansion can still be found on Royal Street in the French Quarter.

The real Delphine LaLaurie then reportedly high tailed it to the docks where she jumped a boat for France and was never heard from again,

In American Horror Story, Delphine does not get off so easy. Suffice it to say, she will pay for her crimes in unusual ways…

Once exhumed from her coffin, Fiona brings Delphine back to the house and decides it might be fun to make her serve as the slave of Queenie. When Marie Laveau gets involved, there is further hell to pay.

You can’t blame Marie for being angry. Among Delphine’s many crimes, perhaps the worst was when she took her houseboy Bastien – who happened to be Marie’s lover – and changed him into a real life minotaur by attaching a bull’s head to his body.

Marie Laveau

The real Marie Laveau  (1801– 1881) was a highly respected Louisiana Creole practitioner of Voodoo.  Her practice included rootwork, conjuring, Native American and African spiritualism, mystic Catholicism and what is known today as “New Orleans Voodoo.”

Marie Catherine Laveau was born as a free woman of color in the French Quarter of New Orleans. Her mother, Marguerite Henry, also a free woman of color, was of Native American, African and French descent. Her father, Charles Laveau Trudeau, was a white surveyor & politician who served on the New Orleans City Council and also as an interim mayor.

On August 4, 1819, Marie married Jacques Paris, a French immigrant who had fled the  Haitian Revolution in the former French territory Saint-Domingue.   Their marriage certificate is preserved in the St. Louis Cathedral in New Orleans.  The wedding mass was performed by Father Antonio de Sedella. They had two daughters, Felicite in 1817 and Angele in 1820. Jacques died in 1820.

Marie then entered a domestic partnership with Christophe Dominick Duminy de Glapion, (a white man of French descent) with whom she lived until his death in 1855. They had 7 children according to birth and baptismal records. Apparently, two of her daughters were also named Marie — and had striking resemblances to their mother. The daughters also practiced voodoo, and may have been confused with their mother. This lead to the belief that Marie could be “in two places at one time” and also had abnormal longevity — as her daughters were seen about town after her death and may have been confused with Marie Sr.

Or were they? Many superstitions are still associated with Marie’s grave. Some folk believe she still walks the earth, and have been known to petition her for favors.

Marie is, of course, most famous for her magick.  Rumors state she had a pet snake, Zombi, named after an African god. She was also a devout Catholic. Her practice mixed invocations of  Roman Catholic saints with African spirits. She was known to cure mysterious ailments. She could exact revenge when justice was needed.

The real Marie Laveau did indeed own a beauty parlor.  She was a hair-dresser for wealthy New Orleans women.  It is said she had a network of informants she developed through her beauty shop connections. She appeared to excel at “obtaining inside information” on her wealthy patrons. (She was, after all, a politician’s daughter!)

The Marie of American Horror Story is just as slick politically. However, due to her bargain with Papa Legba she will bear no children of her own (although she may have to kidnap a few from the local hospital to keep Legba happy.)

With this much historical and horrific material, you can imagine the gore that peppers this series. If you have not yet seen it, I suggest you do so immediately! Cook up a pot of jambalaya, watch by candlelight and be transported. Appreciating the performances of these amazing women is a great way to celebrate Women in Horror Month.

 

 

 

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The Ides of March

 

 

Shakespeare knew betrayal. He wrote about many. Perhaps one of the most chilling was the death of Julius Caesar, who apparently believed himself to be invincible.

On March 15, 44 BC Roman emperor Julius Caesar was stabbed to death near the Theater of Pompey, where his senate held a meeting.  His enemies, who had been conspiring for months, were unbeknownst to him. Total backstabbers! Caesar was loved by many and had apparently done little to provoke the attack.

The assassination, however, did not come without its warning. One month previous, Caesar had been approached by a soothsayer who told him: “Beware the Ides of March”. In ancient Rome, the “Ides” would have been understood to be the middle of the month, or March 15th.

Have a happy March 15th and watch your back!

Here is a re enactment from the 1970 film, Julius Caesar.  Hope you like it!

 

 

 

 

Women in the Desert

 

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Have you seen the 1991 movie Thelma and Louise? If not, you must rent it or stream it. Immediately!

Geena Davis stars as Thelma , a stuck at home housewife and Susan Sarandon  plays Louise, a  cynical waitress.  The two are both funny, smart, a little bored and maybe secretly longing for adventure when they set out on a weekend get-away.  Here is what they look like in the beginning.

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Yeah, too much lipstick and bad eye shadow. That’s all gonna change. Their  plan is to drive to a friend’s cabin in the mountains to do some fishing and communing with nature. But actually, they want to get away from bosses, husbands, boyfriends and other  oppressive types who happen to be causing problems in their lives.

On the way they stop at a country/ western bar where Thelma, after dancing and being a bit too friendly with Harlan (a would be date rapist) is assaulted by him in the parking lot.  Louise comes to Thelma’s rescue and  accidentally kills the guy.

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 “In the future? When a woman’s cryin’ like that? She ain’t havin’ any fun!” 

 

Then these two normal, everyday women unwittingly become dangerous criminals  on the run from the law.   Before the movie is over they will be guilty of  murder, armed robbery, property destruction and holding an officer at gunpoint. Also  adultery, driving  WAYYY over the speed limit and stealing whiskey, sunglasses and hats.  The snowball effect follows them as one catastrophe leads to another, none of it being their fault. In the meantime they make some poignant self discoveries.

Maybe it would have been different if that truck driver would have just apologized…

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Not only is this movie a feminist masterpiece,  it is also a  great tribute to the American West, full of breathtaking cinematography.  Thelma and Louise, in their non-stop driving spree, travel through long stretches desert highway, red rock caverns, cattle round-ups, endless sky and even the Grand Canyon itself.

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Plus, we get to watch  a young Brad Pitt (before he was even famous.)

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I love this film because it is a realistic, funny and sometimes disturbing look at 20th century feminism.  And it’s not just about women shooting guns.  (If it were, I’d surely hate it.)  There is actually very little violence, although it was touted as such, and with great controversy when it first came out. This story is really more of  a psychological study of life under the pink collar. Can two feisty, flirty women travel across the country, drink and dance in bars without fear of being raped?  (Yes! Nowadays they can.)   Luckily things have changed a lot since 1991. Maybe even in part because of this film and others like it. Written by Callie Khouri,  directed by Ridley Scott.  Highly recommended for bad-ass women and rebels everywhere 🙂

Here is my favorite scene:

 

This post was inspired by the Daily Prompt Desert